“How many opted-in contacts do we have tagged vip?”
“Make a segment of everyone who tapped Book now in the last 30 days.”
“Draft a utility template telling people we’re closed on the 24th.”
“Put together a campaign for that segment using the closed_notice template, for Friday at 9am.”
What it can do
- Answer questions about your broadcasts, segments, templates, and audience sizes.
- Check an audience size before you commit to anything — the number it gives is the same one the send would use.
- Create and edit segments, including targeting by buttons people tapped, which the Segments form can’t do.
- Draft, submit, and check templates. It’ll compose one, show it to you, and only submit to Meta once you say so. It can then tell you whether Meta has approved it yet.
- Assemble a campaign — audience, template, variables, schedule — and hand it to you.
It never sends anything
The assistant cannot send, launch, approve, cancel, or retry a broadcast. There’s no tool for it, and the system refuses to send a campaign in the state the assistant leaves it in. Asking it to “just send it” won’t work — it’ll explain that approving is yours to do.
The approval card
When you ask it to assemble a campaign, a card appears in the chat with everything laid out: the name, how many recipients, the estimated cost, the schedule, a preview of the template as your customers will see it, and each variable with what it resolves to. Three buttons:- Approve — you’re happy. The campaign is scheduled and sends at its time.
- Edit — tell the assistant what to change and it reassembles.
- Reject — discard it.
Marketing templates and opt-in
The assistant refuses to assemble a marketing campaign to an audience that isn’t restricted to opted-in contacts, and tells you to fix the audience. Marketing messages to people who never opted in are exactly the thing that gets a WhatsApp number restricted.The manual wizard doesn’t enforce this — you can untick Opted in only and pick a marketing template there. The assistant is stricter than the form on purpose. Being stopped here is a reason to reconsider the audience, not to go and do it by hand.
